William Eugene Smith - Master of the Editorial Photo Essay.
Eugene Smith was already a renowned photojournalist for his photo essays like “Country Doctor” and his coverage of World War II. But one of his most memorable essays came near the end of his career, in the 1970s, when he and his wife Aileen M. Smith profiled the residents of the Japanese fishing village Minamata, showing the effects of mercury poisoning on residents.
W. Eugene Smith and his wife Alleen did a three-year study and photo documentary showing the effects of mercury poisoning on Kyushu a small fishing and farming town in southern Japan in the 1950s. Minamata's disease is methyl mercury poisoning from industrial waste. The people and domestic animals fell ill when they ate contaminated fish from Minamata Bay and the Shiranui Sea.
This was the lead image in a photo essay on Schweitzer by legendary documentary photographer W. Eugene Smith. REALITY: Over 30 years after its original publication, researcher Glenn Willumson found that Smith had combined two distinct negatives to create the photo that was published in LIFE Magazine, adding the silhouetted saw handle and human hand in the lower right of the frame. W. Eugene.
W. Eugene Smith and Aileen, 1974 Consuelo Kanaga, via Wikimedia Commons There are many photographers who have made monumental contributions to the art. One of those photographers was W. Eugene Smith, a man who became famous for taking the photo essay and turning it into the beautiful in-depth story that we know it as today.
Oct 14, 2015 - William Eugene Smith, was an American photojournalist, renowned for the dedication he devoted to his projects and his uncompromising professional and ethical standards. Smith developed the photo essay into a sophisticated visual form. See more ideas about Eugene smith, Photo essay and Photographer portfolio.
If it weren’t for the work he’d done in the Japanese fishing village of Minamata, W. Eugene Smith’s legacy would likely be that of a war photographer, or else as one of the leading contributors to Life magazine, whose immersive approach to his subjects helped pioneer the concept of the photo essay. But Smith did go to Minamata, and the.
Tomoko Uemura in Her Bath is a photograph taken by American photojournalist W. Eugene Smith in 1971. Many commentators regard Tomoko as Smith's greatest work. The black-and-white photo depicts a mother cradling her severely deformed, naked daughter in a traditional Japanese bathroom. The mother, Ryoko Uemura, agreed to deliberately pose the startlingly intimate photograph with Smith to.